| CRUISING ALASKA By Ray Chatelin Photos By Toshi It's not that people who sail the S.S. Universe are smarter or more worldly. It's just that they know more about Alaska than passengers from the sexier, newer, more sophisticated vessels. Take the Red Dog Saloon in downtown Juneau, for example, whose floor is a mix of sawdust and peanut shells. We knew that Wyatt Earp drank there, once. His gun - the one he forgot to take with him aboard the S.S. Senator two days after checking it at the Juneau Marshall's office on June 27, 1900, now hangs on the wall among the beaver and ermine pelts. A red-vested pianist plays saloon music on a honky-tonk piano. Waiters dress in period uniforms. A 300 pound Halibut hangs from the ceiling and a stuffed bear chases the figure of a man up a pole towards the second floor, near the wooden staircase.
Physically, Alaska is defined by towering snow-peaked mountains, miles-deep bluish glaciers, never-ending evergreen forests, countless whales and eagles, and a hard edged beauty that defies even the most determined attempts to subdue it. To the first-time Alaska visitor, it's a heady mix of nature and small pockets of humanity clinging to the edges of the wilderness. The clientele at the Red Dog is more polite than a century ago, but you do get a taste of the times. It's the same in Ketchikan where Dolly's infamous house along the plank-road red-light district has been made into a Historic Museum. In Skagway, once the entry to the Klondike gold fields, the Red Onion Saloon has changed little since it was built in 1898. The girls looking down from the second story windows are mannequins, now, not the working gals of nearly a century ago. And in Sitka, past the Russian Orthodox Saint Michael's Cathedral built in 1848 and housing priceless icons, is the old Russian cemetery where the young Princess Maksoutoff lies buried. Oddly, the Universe bridges the time gap that exists at these ports. When you come back on board, you're not jarred by a clinical separation between two different worlds. That has a lot to do with the nature of the ship. For nine months of the year the S.S. Universe is a floating university cruising the Far East, South America and the Caribbean, and Africa on 100-day cruises co-sponsored by the University of Pittsburgh. On the Alaska cruise the Universe visits Ketchikan, Juneau, Glacier Bay, Yukatat Bay/Hubbard Glacier, Valdez, Seward, Sitka, Skagway, Wrangell, Victoria via the outside of Vancouver island, and Vancouver from where it begins its voyages.
And during the two weeks it has a university feel. On board is a 12,000 volume library where passengers find an endless supply of Alaskan information. The dress standard - except for sports jackets at the Captains welcome and the farewell dinner - is jeans, sweaters, and sport shirts, even at dinner. Entertainment is provided by light-opera singers, classical pianists, and chamber ensembles, providing a mix of Verdi, Chopin, Mozart, South American music, and Andrew Lloyd Webber. The staterooms are in keeping with dormitory living - functional. The ship was built in 1953 as a freighter, christened the Badger Mariner and was rebuilt in 1958 as a passenger vessel, the S.S. Atlantic. It became a university ship in 1971, when purchased by C.Y. Tung and the Seawise Foundation. Six years later, World Explorer Cruises became affiliated with the foundation and began using the ship for passenger cruises to Alaska. The passenger schedule is outlined in the "Daily Explorer", a charted itinerary that quickly becomes the bible of Universe life - listings of lectures, movies, meals, excursions, and entertainment. At 6:30 a.m., when the muffins and pastry comes out on the Promenade Deck, the fitness class struts by on a multi-kilometer fast-walk led by Francine, a diminutive 50-something, dark-haired bundle of brightness and cheer. Some fitness instructor. During the academic year she's a professor in aesthetics specializing in Asian cultures at the University of Pittsburgh. You learn quickly which of the ship lectures to attend, to avoid intellectual overload. Most talks relate to the 42 shore excursions available in port. The trips range from shooting the rapids outside Valdez to visiting Totem Bight State Park, once an Indian campsite that now contains awesome Tlingit totems rising alongside Hemlock trees. Nearby is the ceremonial Clan House built of massive logs. At the port of Wrangell, visitors hike to Petroglyph Beach and make rubbings from rock carvings thought to be 8,000 years old. No-one seems to know why the carvings are even there.
The water is calm and the weather is clear - a relatively rare occurrence - exposing a backdrop of mountains. The deeper we penetrate the bay the more the tranquility deepens. The ship closes onto Margerie Glacier, one of 16 tidewater glaciers that ride down to the waters of Glacier Bay. The air erupts in a violent blast of cracking ice as part of the glacier front breaks off in chunks - called calving - and falls into the water. Puffins rush in for small sea food forced upward by the ice. In the end, Alaska is a personal experience. Some find the highlight at Glacier Bay or on the icefield outside Juneau; at the old Governor's House in Sitka; or on the day outside Wrangell when the ship followed a pod of Humpback Whales at a safe distance.For me, it came as we passed Kayak Island in the Gulf of Alaska on the overnight passage to Valdez from Yakutat Bay and Hubbard Glacier. The sun was still above the horizon, though it was almost midnight. The crisp night air swirled around us as my wife and I sat alone on the deck platform atop the Bridge, knowing we were on the only Alaska cruise ship on which we'd be able to do this. Beside us was an ice bucket, a bottle of a California Fume Blanc, and two filled glasses. We sipped without saying a word, alone in the lighted midnight chill, the wind blowing our hair, watching the island slowly coming up on our starboard side. This was our personal Alaska, one of stillness and fragile light, one in which no demands were made of it and where you could simply let it come to you. |
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